About Me
- Sausage Egg and Chips
- Worcestershire & Cumbria, United Kingdom
- I am a far-travelled outsider & real estate fashionista looking in at the human congregations that are The City of Birmingham and Cumbria. An original child returned to the Metropolis that has changed much, as have I. I promote local communities in the development projects that are likely to affect them most and encourage their voice, investment and greater influence. I hope I can some shed light, spread a little happiness and provoke some thought in all who deliberate, visit and spend time here. To those that are abusive, thank you for your contribution, for it to is also art in its own way.
Thursday, 21 October 2010
Friday, 16 April 2010
Monday, 22 March 2010
Classy Political Move
Saturday, 6 March 2010
Are we brave enough for a Kapoor?
World reknowned artist, Anish Kapoor, offers excitement, movement and asks questions, everytime a new piece of his work is unveiled to an awaiting public in all parts of the globe. Some would have him a genius, some a good publicist and others just resent his talent and success. I'm in the former category and would love Birmingham to embrace his abilities. Trying to focus on the future, when the current looks bleak takes a little good art occasionally to distract and offer hope. Surely, it has to be so much more satisfying and rewarding than having to watch and pay for the marginal skills of another drastically overpaid athlete confess to to his marital indiscretions in a tabloid newspaper.Thursday, 4 March 2010
Matterdale & Patterdale
Sunday, 28 February 2010
Brum: When will we learn and incorporate the lessons of success?
Birmingham has in the last 20 years invested hugely in a commendable comprehensive regeneration programme that has transformed the City................again. Birmingham has achieved this in the past eras of 1890’s under Chamberlain and famously in the 1960’s but it doesn’t seem always to be able to create sustainable efforts for the people of Birmingham after the initial celebration and euphoria of change, as all too often we feel a sense and feeling of embarrassment and apology for our efforts.
With the original Bullring and Ring Road, the Birmingham Central Library and Spaghetti Junction, we seem to have created a world reputation for producing iconic failures. Maybe I’m being harsh in respect of Spaghetti Junction; everyone around the world knows of it but groans when caught up in it at rush hour!
The latest wave of investment in the City has created projects inspire initial optimism and include the New Bull Ring Shopping Centre that replaces the old one, Millennium Point, and Centenary Square that plays host to the International Convention Centre, Symphony Hall, Repertory theatre and the soon to be replacement Birmingham Central Library. All commendable projects that have function and encourage a positive image and reputation for the City of Birmingham. But critically, have they the lasting quality and do they spread a reputation that lasts beyond the first few years and after the initial champagne reception opening parties of those involved?
A true iconic success that Birmingham can claim great pride in is the Classic Greek styled Town Hall, rejuvenated and rekindled brilliantly, after a period of uncertainty, in new opulent splendour. There isn’t a true Brummie that hasn’t seen their favourite band, orchestra, music ensemble or performer in this natural performing home that instils a sense of passionate and lasting nostalgia when attending a performance there. Even with the current trend of rekindled retro music road trips such for those of the 60’s 70’s and 80’s groups, who can’t claim a little... ‘Aah but I remember when I saw so and so, back here in....and they were brilliant’. The question was it the performance or was it the venue that is revered, who can say but I’m sure it is a relevant combination of both elements and it is just as true for the performers also. The warmth, intimacy and quality of its memory last, much more so I’m afraid, than a night say, at a steel shed at the NEC!
The true constant ingredient that works for Birmingham Town Hall is the rule of Classicism. Its Greek design origins with Doric columns, quality stone materials and more decorative arts and craft interior and fabulous natural light forms in its generous windows and pipe organ is the stuff of legends and great civic pride. We, as Brummies, feel no sense of shame in its preservation what so ever, we absolutely love and cherish it.
Is that principle intact with the Old Bull Ring compared to its stylish replacement? What are the repercussions and problems for the sad removal and demolition of the purpose of The Longbridge Car Factory and its substitute Business Park? Also, how are we going to feel in future about The Public arts project in West Bromwich? These are difficult questions but ones that Birmingham needs to answer now, before repeating its most common mistake so quickly.
The Birmingham Central Library never worked and was criticised for years and years far more than its celebration and we are now introducing the removal and replacement in a new £200m + design. That is what Birmingham appears to do traditionally; we create a supposed icon and then we are eternally embarrassed by it, make apologies and gradually make a project around its removal and replacement. We call it regeneration and declare it in our best interests, uncertain of its true impact and longevity. This is such a terrific shame as the one thing that Birmingham can be proud of is the skill and ability of its civic leaders and the city’s professionals to deliver. Counsellors Dick Knowles and Albert Bore & the people that have served under their necessary leadership have actually delivered projects, in partnership with others, by finding the right locations, re utilised redundant land, secured all the necessary funding and invested a great deal of effort, time and time and again. Birmingham has shown that it can achieve change, but, can we do so, whilst learning the secrets of long term successes also?
There are known rules of design and Classicism that work and exist in public and iconic architecture throughout the world. The best known is that of the triangle. We all know and can immediately understand and identify the lasting qualities of world famous buildings such as the Pyramids in Egypt, The Sydney Opera House with its predominant sail shapes and The Eiffel Tower in Paris. Even Liverpool with its catholic cathedral or ‘Paddy’s Wigwam!’ subscribe to the triangle shape. All of these buildings and use the strong shape to create simple design memory in the human conscience that is remembered. The square and the box are ubiquitous shapes prevalent in almost every structure man creates, the triangle as a structure is more expensive and less versatile, but boy does it last and work to great effect! You just have to think of the design appeal of a traditional pitched triangle roof against a bland flat roof to know that this simple rule works in domestic buildings. One is opulent and pleasing, the other cheaper and less satisfying.
Certain in the knowledge that under these very very challenging times of economic uncertainty, public projects and design budgets will have to be hard fought for in respect of funding and deliverability. The very act of their investment creates localised employment and economic benefit for those associated with it, which is absolutely vital to a City trying to find its way in the current world impacting recession.
Therefore, knowing the importance of such decisions, will the current crop of City Fathers and public servants seek to ensure quality in its thinking and maximise its long term effect? Will they refer to the good design rules of classicism, debate the iconic shape that will last and by default avoid Birmingham and its people having to apologise in future for its failed efforts? She is a truly beautiful City with good honest people at its core that are largely and wrongfully dismissed by the UK as a mediocre place occupied by perceived simpletons that should be apologetic. This is not what this City should aspire to, we, Brum, deserve and should ensure greater. What better way of doing so than making good quality design decisions that ultimately empower local people with civic pride, by instilling belief in the value of civic projects, that in themselves ensure the City of Birmingham’s rightful place in history with a premier and iconic identity.
Saturday, 27 February 2010
Phillip Raskin gets Moody

An Impressive Family Award
"As a team, Jack and Kim model stewardship, compassion, and living lightly on the earth. They live a simple lifestyle, eat from their own garden, and devote lots of quality time to their children and their North Shore community. Jack's music has introduced people around the world to island values of environmental stewardship and aloha, and profits from his tours support local and global environmental work. Kim has worked tirelessly to build the Kokua Hawai'i Foundation into a local institution that is committed, as she is, to positive, empowering approaches that educate keiki and build a more eco-conscious community."
Any suggestions for the terminolgy that might be used for a comparable characters deserving of a Brummie award: an HP Saucerer, A B***dy Bostin our kid' or perhaps my personal fave the more exotic 'Eez Oiroight e' is' Award
Funny Old Antique
"Gosh" says Hilary Kaye, "what we have here is something incredibly rare and by very well known collectible artists of their time. A possible Picasso original and a Stradivarius"........Wooooohoooo go the increasingly interested assembled crowd.
"Are they worth much?" asks the bewildered man. "Oh shouldn't think so" informs Hilary, ...Picasso was a pretty crappy carpenter and Stradivarius was a really shocking painter!!"

